I intended to do one of a scene I shared this morning on Instagram but this was the view when I sat down in my studio to sketch.
I mean, how could I not?
I pencilled in a rough outline first because I often start too big and don’t capture what I want. Pencil first helped with that.
Then I picked out the important bits with my trusty Pigma Micron (love those pens). The watercolours are from my Winsor & Newton travel set, mostly using cobalt blue, ultramarine blue, burnt sienna and raw sienna.
I like the blue into the cliffs for shadows because I’m focusing on deeper colour. When I looked back over my first sketches I wasn’t satisfied with the colour. Too washed out. I find myself drawn to other people’s sketches with pops of colour. So obviously it’s something that speaks to me. Time to stop playing safe.
Right now the outside world is still pretty gray and brown and it has a definite influence on my palette. I may have to really let loose and make it up as I go!
Yesterday was another rainy, overcast day and all I wanted to do was hibernate until the sky turns blue again. So I looked at the forecast for the next 14 days.
8 days of rain!
I may end up covered in moss if I stand still too long, so I fought off the hibernation urge. Instead, I finished moving (see what I did there) back into my summer studio where the light is wonderful. Not quite summer sunshine but at least there’s a glow. All of which helps lift the mood.
After I finished putting things away, I completed a painting and still had some time to spare. So I did today’s sketch sitting by one of the studio windows, overlooking my neighbour’s place. Wish I could show you the inside with its driftwood furniture. Cute as can be.
Because I’m the artist and I get to make up the rules, I painted a summer day, complete with sunshine and wild roses.
Today is raining and overcast. Too many folks on a flood watch right now but here in Margaretsville we’re okay. Most of our water drains into the Bay of Fundy, which means the waterfalls are spectacular along the cliffs.
This time of year the whole landscape seems grey and brown. The one spot of colour is the red door on the Art Shack down by the dock which I can see from my studio. Unless the sun comes out. Then the bay and sky become a brilliant blue. Here on the Bay a “Blue Day” is a good day. But for today, it’s the red door that calls to me.
I used my Daniel Smith colours for this sketch.
Payne’s Blue Gray is perfect for overcast skies and bay.
Their Pompeii Red and English Red Ochre worked well for the ironwork along the edge of the dock.
Peryline Scarlet for the door.
Lots of others as I experimented but the surprise for me was Buff Titanium. Perfect for the cement barrier at the head of the wharf.
” They’re funny things, accidents. You never have them till you’re having them.”
Winnie the Pooh
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I love happy “accidents” that lead to something unexpected and wonderful. When I was in Toronto teaching last week, I visited the local art supply store (of course) and discovered a dot colour chart of Daniel Smith watercolours – dots of paint you can actually use. Finding it was my happy accident.
Because I’ve been reading a lot of rave reviews for Daniel Smith watercolours, I grabbed a set. Though too busy to paint while teaching, I’d look at those pretty dots of colour in the evenings. I decided they would be the genesis of the daily sketching practice I’ve been talking about. So when I got home, I dug out the small journal from Global Art I’d bought for this purpose, my Escoda travel brush and got down to it.
I’ve decided to paint whatever catches my eye on a particular day. In other words, not to stress about the subject – which I often do and it usually stops me from doing anything. These orchids in my studio caught my eye so I pulled up a chair and started with a line sketch using a Sakura Pigma Micron 05 black marker. I like the fine line it makes and the ink is fade proof and water proof.
Then I got out those new Daniel Smith colours and had a ball trying them out. I tried to write down the colours as I used them but I admit to getting carried away by the process. I kept it fast and loose because I love the energy of a ‘sketchy’ piece and it loosens me up for ‘serious’ painting.
Deep Sap Green for the leaves . Definitely a new favourite green. It’s gorgeous!
English Red Ochre – perfect for the clay pot
Van Dyke Brown for the smaller pot
Pthalo Yellow Green for the underlying tint to the orchids
Rose Madder Permanent for the overlying tint
Bordeaux for the veining (Another bewitching colour I will be using more of)
Antraquinoid Red for the the lip. I don’t have another good word to describe how beautiful this colour is.
I have to say I love the Daniel Smith colours so far. Rich with lots of pigment. You’ll be seeing more of them soon.