I intended to do one of a scene I shared this morning on Instagram but this was the view when I sat down in my studio to sketch.
I mean, how could I not?
I pencilled in a rough outline first because I often start too big and don’t capture what I want. Pencil first helped with that.
Then I picked out the important bits with my trusty Pigma Micron (love those pens). The watercolours are from my Winsor & Newton travel set, mostly using cobalt blue, ultramarine blue, burnt sienna and raw sienna.
I like the blue into the cliffs for shadows because I’m focusing on deeper colour. When I looked back over my first sketches I wasn’t satisfied with the colour. Too washed out. I find myself drawn to other people’s sketches with pops of colour. So obviously it’s something that speaks to me. Time to stop playing safe.
Right now the outside world is still pretty gray and brown and it has a definite influence on my palette. I may have to really let loose and make it up as I go!
Yesterday was another rainy, overcast day and all I wanted to do was hibernate until the sky turns blue again. So I looked at the forecast for the next 14 days.
8 days of rain!
I may end up covered in moss if I stand still too long, so I fought off the hibernation urge. Instead, I finished moving (see what I did there) back into my summer studio where the light is wonderful. Not quite summer sunshine but at least there’s a glow. All of which helps lift the mood.
After I finished putting things away, I completed a painting and still had some time to spare. So I did today’s sketch sitting by one of the studio windows, overlooking my neighbour’s place. Wish I could show you the inside with its driftwood furniture. Cute as can be.
Because I’m the artist and I get to make up the rules, I painted a summer day, complete with sunshine and wild roses.
Today is raining and overcast. Too many folks on a flood watch right now but here in Margaretsville we’re okay. Most of our water drains into the Bay of Fundy, which means the waterfalls are spectacular along the cliffs.
This time of year the whole landscape seems grey and brown. The one spot of colour is the red door on the Art Shack down by the dock which I can see from my studio. Unless the sun comes out. Then the bay and sky become a brilliant blue. Here on the Bay a “Blue Day” is a good day. But for today, it’s the red door that calls to me.
I used my Daniel Smith colours for this sketch.
Payne’s Blue Gray is perfect for overcast skies and bay.
Their Pompeii Red and English Red Ochre worked well for the ironwork along the edge of the dock.
Peryline Scarlet for the door.
Lots of others as I experimented but the surprise for me was Buff Titanium. Perfect for the cement barrier at the head of the wharf.
” They’re funny things, accidents. You never have them till you’re having them.”
Winnie the Pooh
Some of the links in this post are affiliate links. This means if you click on the link and purchase the item, I receive an affiliate commission at no extra cost to you. All opinions remain my own.
I love happy “accidents” that lead to something unexpected and wonderful. When I was in Toronto teaching last week, I visited the local art supply store (of course) and discovered a dot colour chart of Daniel Smith watercolours – dots of paint you can actually use. Finding it was my happy accident.
Because I’ve been reading a lot of rave reviews for Daniel Smith watercolours, I grabbed a set. Though too busy to paint while teaching, I’d look at those pretty dots of colour in the evenings. I decided they would be the genesis of the daily sketching practice I’ve been talking about. So when I got home, I dug out the small journal from Global Art I’d bought for this purpose, my Escoda travel brush and got down to it.
I’ve decided to paint whatever catches my eye on a particular day. In other words, not to stress about the subject – which I often do and it usually stops me from doing anything. These orchids in my studio caught my eye so I pulled up a chair and started with a line sketch using a Sakura Pigma Micron 05 black marker. I like the fine line it makes and the ink is fade proof and water proof.
Then I got out those new Daniel Smith colours and had a ball trying them out. I tried to write down the colours as I used them but I admit to getting carried away by the process. I kept it fast and loose because I love the energy of a ‘sketchy’ piece and it loosens me up for ‘serious’ painting.
Deep Sap Green for the leaves . Definitely a new favourite green. It’s gorgeous!
English Red Ochre – perfect for the clay pot
Van Dyke Brown for the smaller pot
Pthalo Yellow Green for the underlying tint to the orchids
Rose Madder Permanent for the overlying tint
Bordeaux for the veining (Another bewitching colour I will be using more of)
Antraquinoid Red for the the lip. I don’t have another good word to describe how beautiful this colour is.
I have to say I love the Daniel Smith colours so far. Rich with lots of pigment. You’ll be seeing more of them soon.
I’ve been promising a peek into my new studio for awhile now but it’s been a much longer road than we originally planned on but moving day has finally arrived.
A little background
Our home has been reinvented quite a few times over its 125 year life. Each iteration left behind its own reminders. The old wood floors and beamed ceilings hint at its original purpose – the village general store and community meeting hall.
In the 1960’s, one of the storekeepers built an apartment on the second floor. Sometime in the 1990’s the first floor store added a fish and chip restaurant with a separate dining hall outside overlooking the Bay of Fundy. That’s the smaller blue building to the right in the photo below.
Finally, a previous owner turned it into a home and a few years later, we entered the picture.
The Summer House
When we bought this place 2 years ago, we called that small blue outbuilding the “summer house”. We had no idea what to do with it, if anything. It became kind of a catch-all, storing stuff from the move we didn’t have a place for and firewood for the winter
Since our attention was elsewhere, we ignored it that first year, waiting for inspiration to strike.
Making it up as we go
The truth is, since our decision to move here we’ve been making it up as we go. All our working lives we were planners with defined goals and an action plan to get there – most of which didn’t work out as planned. One day we decided to try something completely different and follow that still, small voice of intuition. We would look for where we are being led, rather than running ahead, trying to control the outcome.
I’m happy to report this approach works amazingly well!
That’s why, one morning when I woke up, I looked at my husband and said, “We’ve got the perfect setup. Let’s try a BnB.”
Drawing is first about taking something with all the senses, letting what is simply be as it is, without judging it. – Jeanne Carbonetti, The Yoga of Drawing“
Call it what you will
I love sketching. While it’s a good creative warm-up, it’s even better as an antidote to the distractions all around me. It reminds me to pay attention because the world is a pretty amazing place.
Sketching is available to anyone because there’s no need to call yourself ‘artist’. No need even to share what you produce. I have pages and pages of sketches for ‘my eyes only’. You can even throw away what you produce because it’s NOT about the product.
It’s about being present for that moment and really noticing the world again.
It’s all about curiosity
Sketching makes me pay attention and examine small details.
It shifts me out of auto-pilot and helps me to let go of preconceived ideas about how the world around me ‘should’ look. When I really get into flow, I focus in without judgment about the object I’m studying or what my hand produces on the paper.
Perhaps ‘doodle’ is a better word because it strips away that serious artist overtone. It’s about curiosity and taking a closer look.
Carpe Diem and Sketch
Keep it simple and your tools handy so you can do this anytime, anywhere. Seize every opportunity.
Choose a pencil or fine-line marker that you like. I prefer a marker because my lines feel more confident. The energy is just different when I know I must commit and can’t erase. I also keep a few watercolour pencils with me because I like colour but it’s not necessary.
The paper itself isn’t important. While it’s nice to have sketchbook, the back of a napkin also works. As I said, it’s not about the end product but the process.
Then just do it.
Sketch something in your environment right now. Start by taking a second look.
Is the top of a mug really round or something else when it’s in front of you. How do the shadows fall? Is there a glint of light on this somewhere? How do the pieces line up? Or not? Is the top bigger than the bottom?
You get the idea.
Then just make some marks on the paper. Once you start, it gets easier. Don’t judge the marks you make. They’re not important.
You only need a few minutes. Do it on your lunch hour or while the kids nap. It’s a practice you can squeeze into any schedule and can help you feel more grounded because for those few minutes, you’re paying attention.
Invisible Rule holding you back?
If you’re hesitating I’ll bet the conversation in your head sounds something like “I could never do that.”.
Who made up that rule?
Change the inner dialog to a curious question — “What if I tried this?”.
I’d love to hear your ideas in the comments.
Hard to find creative time in a busy life?
I’m putting together an online course that can help with that.
What are you waiting for?
Build a personalized creative practice
that fits the life you lead today.
Get ready for your future.
Get on the waiting list for the next session
By signing up here you are agreeing to receive occasional emails from me with information about Synchronize.
We shall not cease from exploration, and the end of all our exploring will be to arrive where we started and know the place for the first time. T. S. Eliot
Choosing the head or the heart
I have to watch myself or I get too “heady” when I’m painting and I forget to tell a story. My background in designing computer systems may have something to do with that.
For that reason, I’m consciously painting “looser” these days. I try to avoid realism, not because it can’t be a story but for me, it becomes an exercise in skill, not story.
Loose, however, is not easy. My Inner Perfectionist wants it to look like a photo. (So does my husband, who just doesn’t ‘get’ anything else.)
To help break away, I’m experimenting with acrylics, bigger brushes, pouring and other mediums such as collage. I’m kicking myself because I gave away all my encaustic supplies before we moved. (Note to self: NEVER give away art supplies.)
As I play with these new (to me) materials, my inner dialog goes something like, ” What am I curious about? What do I feel? What do I want this to say…wait…that doesn’t look real…Oh, right. Back to story.”
Ask the right questions
The trick seems to be sticking with the right questions. The ones about heart, emotion, meaning and story. Doing a piece that is technically well-executed feels…well…satisfying and when I let it, the detailed work pulls me in. The problem is, it doesn’t share anything about me except that I know how to handle a brush and familiar medium.
When was the last time you spent a quiet moment just doing nothing – just sitting and looking at the sea, or watching the wind blowing the tree limbs, or waves rippling on a pond, a flickering candle or children playing in the park? — Ralph Marston
The picnic tables in the park down the street are calling to me. They overlook the bay and I plan to visit them soon with my paints and sketchbook for a little plein air work.
I love my studio but lately I’m hungry to be out where I can smell the ocean and feel the wind. After a dreary, rain-soaked season, I feel flat and empty.
It’s been an easy winter but still…it is winter. At first, I enjoy being cocooned indoors but by March I’ve been inside too long, despite daily walks with the dog.
My comfort zone felt safe but it also kept me from growing.
Recently I tried something that wasn’t really new. Just something I left behind years ago – painting with acrylics but it definitely moved me beyond my current comfort zone.
Everything old is new again
I used to teach decorative painting using acrylics. You’ve seen stuff like it on Pinterest, I’m sure, decorating tables and other furniture using fluid brush strokes and simulating 3D. I loved it and still have a few of my pieces decorating my home.
The problem was I travelled (a lot) on business, which meant airplanes and luggage. I didn’t quite trust packing acrylic paints in with my business clothes so I switched to watercolours. They seemed less risky and cleaning my brushes in a hotel sink was easy.
This meant learning a whole new way of painting because, if you use both acrylics and watercolors, you know they require slightly different techniques. So I made the decision to focus on the watercolours and abandon the acrylics. I didn’t have time or budget to learn and practice both mediums.
I never worked with acrylics again – until recently.
Stretching the comfort zone
Frankly, I was a little concerned about trying them again, afraid I might find it confusing to switch back and forth. Plus I spent a lot of time and money bringing my watercolour skills up to snuff. Did I really want to start back at the beginning again?
(I think perfectionism might have been running that train of thought.)
But my comfort zone felt stale. I wanted something with a different energy and vibe and acrylics kept calling to me. So when I dropped off my paintings at Roundhill Studio for their Wee Art show, I noticed her flyer for an acrylic class. I threw caution to the wind and registered on the spot. (That way I wouldn’t change my mind.)
When I showed up for class, I was pleasantly surprised how my watercolour skills crossed over. The brush didn’t change, only the medium. (Duh.)
I felt so excited and pleased with the painting of sheep I created that day, I went back to my own studio and started pumping out acrylic paintings. I’ve done a number of them since that workshop a few weeks back. More importantly, I’m outside my comfort zone, having a lot of fun!
What I learned
I still paint with watercolour but in a completely different style. They tend to be much more detailed while the acrylic paint brings out my loose and playful side. I find it easy to move back and forth between both mediums and styles, which surprised and excites me.
All this time I’ve hesitated only to discover that each one informs and enriches the other. I might never have know this if I had continued to shy away.
Sometimes we just have to get out of our own way and leave the safety of the comfort zone. When stopped listening to that story holding me back, I learned a little more about what I was capable of.
What’s something new you’d like to try? Have you stretched your comfort zone lately? Share what you found there in the comments. I’d love to hear from you.