Today is raining and overcast. Too many folks on a flood watch right now but here in Margaretsville we’re okay. Most of our water drains into the Bay of Fundy, which means the waterfalls are spectacular along the cliffs.
This time of year the whole landscape seems grey and brown. The one spot of colour is the red door on the Art Shack down by the dock which I can see from my studio. Unless the sun comes out. Then the bay and sky become a brilliant blue. Here on the Bay a “Blue Day” is a good day. But for today, it’s the red door that calls to me.
” They’re funny things, accidents. You never have them till you’re having them.”
Winnie the Pooh
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I love happy “accidents” that lead to something unexpected and wonderful. When I was in Toronto teaching last week, I visited the local art supply store (of course) and discovered a dot colour chart of Daniel Smith watercolours – dots of paint you can actually use. Finding it was my happy accident.
Because I’ve been reading a lot of rave reviews for Daniel Smith watercolours, I grabbed a set. Though too busy to paint while teaching, I’d look at those pretty dots of colour in the evenings. I decided they would be the genesis of the daily sketching practice I’ve been talking about. So when I got home, I dug out the small journal from Global Art I’d bought for this purpose, my Escoda travel brush and got down to it.
I’ve decided to paint whatever catches my eye on a particular day. In other words, not to stress about the subject – which I often do and it usually stops me from doing anything. These orchids in my studio caught my eye so I pulled up a chair and started with a line sketch using a Sakura Pigma Micron 05 black marker. I like the fine line it makes and the ink is fade proof and water proof.
Then I got out those new Daniel Smith colours and had a ball trying them out. I tried to write down the colours as I used them but I admit to getting carried away by the process. I kept it fast and loose because I love the energy of a ‘sketchy’ piece and it loosens me up for ‘serious’ painting.
Deep Sap Green for the leaves . Definitely a new favourite green. It’s gorgeous!
English Red Ochre – perfect for the clay pot
Van Dyke Brown for the smaller pot
Pthalo Yellow Green for the underlying tint to the orchids
Rose Madder Permanent for the overlying tint
Bordeaux for the veining (Another bewitching colour I will be using more of)
Antraquinoid Red for the the lip. I don’t have another good word to describe how beautiful this colour is.
I have to say I love the Daniel Smith colours so far. Rich with lots of pigment. You’ll be seeing more of them soon.
Stop in the middle. Never stop working at the natural barriers. The next time you start working, the barrier will be the first thing you encounter, and you won’t have the momentum to overcome it. — Ernest Hemingway
Procrastination wasn’t a word I applied to myself. My husband would second that because if something needs doing, I can’t rest until it’s done. However, I did have a hard time getting on track again once I completed a painting. It wasn’t because I was putting it off but more because I didn’t know where to start.
Back when I taught creative writing I always mentioned Hemingway’s process to my students as sound advice to help them avoid the quicksand of creative procrastination. Knowing what you want to write next keeps the ‘juice’ flowing. I just never applied it to my painting process until now. Talk about tunnel vision!
Up until a few weeks ago, I worked on one piece at a time. I called it “focus” but now I see it created a natural barrier to the next piece. When I finished a painting, it took me a few days to find my next subject and face the blank sheet of paper. Flailing about, trying to decide on “What next?” is my version of creative procrastination. It frustrated the heck out of me.
I don’t remember exactly what inspired me to start 3-4 pieces at the same time but I will be forever grateful to the Muse for that whisper in my ear.
Since that AHA moment, I look forward to getting to my studio each day. Knowing what I’m going to work on feels liberating. Spread across the two tables where I paint are pieces in different stages so I can always find a place to start. I also keep a list of ideas and reference photos tacked up over my table. Also, working in a series helps. As I finish a piece, I choose something, start the sketch and do my colour tests.
I’ve completed a number of pieces in the last few weeks because of my “new” habit. It’s also why I haven’t posted on the blog for awhile. I’ve been too busy in the studio!
Found a fix for your procrastination habit? Please, share it in the comments and spread the word.
The artist is nothing without the gift, but the gift is nothing without work. – Emile Zola
Time away is a gift
This year, being away for a whole month was a first for both of us.
A month changes things, providing distance and perspective. It made me see I was in danger of filling my schedule with things that took me away from what I really wanted. Putting together a program to help artists find time was keeping me too busy to paint.
How’s that for irony?
So I took a deep breath, slowed down and asked,
“What do I really want in 2019?”
Easy. I want to prioritize my painting.
That means committing to a daily practice of drawing and painting, taking time to be a student and making my art a priority rather than an afterthought. Like practicing daily scales, I need to put in the work.
We all have our own ways of bringing our dreams to life, but what we do each day, at a ‘right here, right now’ level, will determine whether we get there. — Tara Leaver, Artist
And, as we all know, for every action there is an equal and opposite reaction. When I say “Yes” to something then I must say “No” to something else.
“What is necessary and what is distraction?”
When I arrived back home I began making time for my dreams by looking at the “mental clutter” I had allowed into my life. Like physical clutter, it took up space, made it hard to navigate and gathered dust.
I don’t know about you, but I tend to subscribe to things as I’m browsing because they catch my eye or I want their ‘freebie’ or there’s a program I’m interested in. That means I end up on a lot of lists if I’m not careful.
Now I looked at each and every promotion and update that came through my inbox and held it up for scrutiny.
Did I even sign up for this? Even with all the anti-spam laws, I still get added to lists without my permission. Those are an easy decision. Unsubscribe.
Is this information pertinent to me anymore? More often than not the answer was No because my life has changed so much. Unsubscribe.
When was the last time I read the information this sender provides? If I can’t even remember – unsubscribe.
Now I’ll admit that unsubscribing sometimes felt a little like breaking up. Often they ask “Why” and it’s tempting to write “It’s not you, it’s me”. Mostly though, I skip giving a reason unless the sender is a friend in the real world.
This is an ongoing process but the difference in less than a week was phenomenal. My inbox holds only those things I deem important to me personally or to my renewed focus on the painting.
And speaking of distractions…
Where do I want to invest time on social platforms? Do I have a reason for being there?
For me, it boils down to Instagram, Facebook and Pinterest, which make sense to me as a visual artist. I deleted my profile on LinkedIn because I’m not in the corporate/business world any longer. The jury is still out about Twitter.
I left a number of Facebook groups because I wasn’t interacting or they belonged to a different phase of my life. My Creative Fire Café , of course, stays put. I love the community we created and what we learn from each other. The social aspect of Facebook is also a gift because it keeps me in touch with family and friends.
Gift of Changing “The way it’s always been”
The “Yes” part means daily time in my studio, painting and learning. In the past, I held a belief that my creative time “had” to be in the morning. And yet, I easily slipped into an afternoon routine which feels natural.
By taking care of a few things each morning such as social media, my coaching practice and biz admin (and yes, household chores) I relax and totally focus on my art in the afternoons. Up to now, I hadn’t even recognized that feeling of “something’s not done” and the pressure it created to hurry through my painting time.
Now the parent part of my brain says “Right. Chores are done. Go play.”
Gift of Self-Care
At the end of my studio time, right on the dot of 4:00, Joey the Dog comes in, sits down and stares hard at me. He’s letting me know in no uncertain terms, it’s time for his walk. It’s like having my own personal trainer.
These days I find myself taking longer walks which means more fresh air and exercise. Because my other priorities now have their place, I am free to enjoy the moment plus the exercise loosens me up after sitting for so long. When I get back to the house, my husband and I have a cup of tea and spend some quiet time together.
Without even trying, I’m practicing better self-care and enjoying quality time with the spouse, a precious gift.
The Sum of the Equation
All of these small changes add up. Fast. I see positive growth in my art which translates into feeling relaxed and happy, knowing my dreams are getting daily attention. I even sleep better. My time is being spent on priorities, not busy work.
What strategies have worked for you when it comes to finding more time to focus on your priorities?