I intended to do one of a scene I shared this morning on Instagram but this was the view when I sat down in my studio to sketch.
I mean, how could I not?
I pencilled in a rough outline first because I often start too big and don’t capture what I want. Pencil first helped with that.
Then I picked out the important bits with my trusty Pigma Micron (love those pens). The watercolours are from my Winsor & Newton travel set, mostly using cobalt blue, ultramarine blue, burnt sienna and raw sienna.
I like the blue into the cliffs for shadows because I’m focusing on deeper colour. When I looked back over my first sketches I wasn’t satisfied with the colour. Too washed out. I find myself drawn to other people’s sketches with pops of colour. So obviously it’s something that speaks to me. Time to stop playing safe.
Right now the outside world is still pretty gray and brown and it has a definite influence on my palette. I may have to really let loose and make it up as I go!
” They’re funny things, accidents. You never have them till you’re having them.”
Winnie the Pooh
Some of the links in this post are affiliate links. This means if you click on the link and purchase the item, I receive an affiliate commission at no extra cost to you. All opinions remain my own.
I love happy “accidents” that lead to something unexpected and wonderful. When I was in Toronto teaching last week, I visited the local art supply store (of course) and discovered a dot colour chart of Daniel Smith watercolours – dots of paint you can actually use. Finding it was my happy accident.
Because I’ve been reading a lot of rave reviews for Daniel Smith watercolours, I grabbed a set. Though too busy to paint while teaching, I’d look at those pretty dots of colour in the evenings. I decided they would be the genesis of the daily sketching practice I’ve been talking about. So when I got home, I dug out the small journal from Global Art I’d bought for this purpose, my Escoda travel brush and got down to it.
I’ve decided to paint whatever catches my eye on a particular day. In other words, not to stress about the subject – which I often do and it usually stops me from doing anything. These orchids in my studio caught my eye so I pulled up a chair and started with a line sketch using a Sakura Pigma Micron 05 black marker. I like the fine line it makes and the ink is fade proof and water proof.
Then I got out those new Daniel Smith colours and had a ball trying them out. I tried to write down the colours as I used them but I admit to getting carried away by the process. I kept it fast and loose because I love the energy of a ‘sketchy’ piece and it loosens me up for ‘serious’ painting.
Deep Sap Green for the leaves . Definitely a new favourite green. It’s gorgeous!
English Red Ochre – perfect for the clay pot
Van Dyke Brown for the smaller pot
Pthalo Yellow Green for the underlying tint to the orchids
Rose Madder Permanent for the overlying tint
Bordeaux for the veining (Another bewitching colour I will be using more of)
Antraquinoid Red for the the lip. I don’t have another good word to describe how beautiful this colour is.
I have to say I love the Daniel Smith colours so far. Rich with lots of pigment. You’ll be seeing more of them soon.