I’m very excited about introducing you to this month’s guest artist – Karen Richardson.
I first met Karen Richardson when we visited her home during a Studio Tour and came away with one of her paintings. Later, I enrolled in her workshops and along the way discovered a good friend. Before my move to Nova Scotia we got together regularly to paint and encourage one another.
Let me introduce you to my friend, Karen Richardson, an extraordinary watercolour artist. I have no doubt she will inspire you as much as she inspires me.
What does “being creative” mean to you?
For me, creativity comes in many forms. It is an activity that is so absorbing that I lose track of time and of my surroundings. Creative pursuits make my troubles fade away and leave me feeling happy and re-energized. I can be creative as a gourmet cook and baker; as a home gardener designing layout, shape, colour, and bloom time of my perennial beds; as a designer of my web site; as a writer of my artist’s-life-and-travels blog and my painting instruction book; as a photographer of my travel adventures; as a creator of mini-videos for social media posts; and, most importantly, as a painter of realistic landscapes and nature studies.
When did you first realize that you absolutely had to lead a creative life?
There has never been a time in my life where artistic creativity was absent. As a young child, I enjoyed playing with construction paper, scissors, colouring books, and drawing pencils, and in high school I excelled in a sophisticated arts program. But back then, I could not envision a practical career in fine art, so my life took a different path.
About ten years later, a chance night school course rekindled my love of watercolour painting, and I began moonlighting as a professional artist at age 29, while working full time at a day job. My art was therapy for my stressful career, (and my day job skills helped me build the business side of my art), for the next 18 years.
Finally, at age 47, when my husband retired, I became a full time artist. Later, I began teaching watercolour workshops, and that lead to the publication of Watercolour Toolbox, my painting instruction book. So far, in the 32-year span of my fine art business, over 600 of my paintings have made their way into art collections in 19 countries.
I have been heard to say, jokingly, that I became an artist by accident, then an art instructor by accident, and then an author by accident. But if I really think about it, maybe I always was destined for this artistic path. Looking back and looking forward, the journey feels absolutely authentic to me.
What inspires you?
My husband and I love to travel, and we have been privileged to explore every province and territory in Canada, every state of the USA, and several countries abroad. I carry a pocket camera everywhere we go, so I can capture fleeting moments of inspiration. RV touring, hiking, motorcycling, snowmobiling, ATVing, kayaking, and gardening provide unique images for my paintings. My instinct is to seek out peaceful surroundings – natural places that rejuvenate the spirit. My paintings reflect this feeling of inner harmony.
What do you want your art to communicate?
When I see something in Nature that is worthy of celebration, I want to capture that feeling of heartfelt awe and wonder in a painting. My artistic mission is to uplift, to share a moment of focused calm; in short – ‘making the world a happier place, one painting at a time’. (That is my business tagline.)
What’s the best advice you were ever given about how to be more creative?
I believe in the famous quotation from Chuck Thomas Close (American photorealist painter and photographer): “Inspiration is for amateurs — the rest of us just show up and get to work.” I share his belief “that things will grow out of the activity itself and that you will — through work — bump into other possibilities and kick open other doors that you would never have dreamt of if you were just sitting around looking for a great ‘art idea’.“
Describe your creative process. What kind of patterns, routines or rituals do you have?
My year is divided roughly in thirds; 4 months of travel, 4 months of teaching watercolour workshops in my studio and at local galleries, and 4 months of intense painting time in my studio. During my studio painting time, my goal is to complete one painting a week on average. During my teaching time I produce at about half that rate, with my class demonstration paintings becoming saleable inventory. During our travel months I only paint a few hours each week, finishing a couple of paintings while on the road in our travel trailer. Most of my photography work is done during our travel months and becomes the inspiration for my studio paintings.
What is the most challenging part of the creative process for you and how do you meet that challenge?
Often my studio painting time takes a back seat to other activities in my art business and life in general. For me, two strategies help to avoid this problem. One strategy is to have external commitments to create new work. This could be scheduling weekly time to paint with a buddy, partnering with art galleries to sell my paintings (and therefore I commit to supply a certain volume of new work to support those galleries), or exhibiting at art fairs and open studio events. Another strategy is to schedule regular painting time each week, while getting ‘buy-in’ from family and friends to respect that schedule.
Is there anything you’d like to add that I didn’t ask?
Recently, I completed an 18-month online ‘Art Business Academy’ course, in which I was coached by a gallery owner in Arizona and had to complete a new assignment every second week. The goal was to expand the number of galleries showing and selling my paintings, by ramping up all aspects of my art business to a highly professional level. Thanks to my ABA lessons, I now have 7 gallery partners across Ontario.
Connect with Karen Richardson:
Order Karen’s award-winning book for watercolour artists by clicking the image below: